Gol Maal
Why this pick
Like Chupke Chupke, it turns a clever false identity into a warm, dialogue-led comedy, with an increasingly elaborate web of lies played for charm rather than cruelty.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Chupke Chupke, it turns a clever false identity into a warm, dialogue-led comedy, with an increasingly elaborate web of lies played for charm rather than cruelty.
Why this pick
Its buoyant mischief, affectionate family friction, and gentle rebellion carry the same humane comic spirit and relaxed ensemble timing as Chupke Chupke.
Why this pick
A warm household comedy whose apparent outsider quietly rearranges family dynamics, balancing playful situations with the generous emotional texture central to Chupke Chupke.
Why this pick
This is another polished comedy of marital teasing and carefully sustained deception, driven by verbal wit and a fondness for its flawed, lovable characters.
Why this pick
Its broad comic plotting, musical exuberance, and friends conspiring around romantic misunderstandings offer a similarly light, mischievous escape.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Professor Parimal Tripathi (Dharmendra) is a botany professor who falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Prof. Parimal Tripathi helps the bungalow watchman to get to his village downhill to enable him to see his grandson who's fallen ill. Meanwhile, he disguises himself as the bungalow watchman to protect the old man's job. Sulekha finds out one day about the cover-up and is charmed on seeing Parimal's real personality. They both get married. Parimal loves playing pranks and is the antithesis of regular professors. Sulekha, on the other hand, is in awe of her jijaji (brother-in-law) Raghavendra (Om Prakash). She considers her jijaji to be highly intellectual and looks upon him as her idol. Parimal develops an inferiority complex thanks to Sulekha's excessive praise of her jijaji and decides to prove that he is in no way a lesser mortal. Jijaji, meanwhile, has written a letter to Haripad bhaiyya (David Abraham Cheulkar) asking him to send a driver who can speak good Hindi because his present driver James D'costa (Keshto Mukherjee) uses improper dialect. This provides the perfect opportunity for Parimal to get to see and interact with jijaji. Parimal becomes Pyare Mohan Ilahabadi, a motor-mouth driver who pretends to hate the English language and so speaks only Hindi. So begins the comedy of errors, as Parimal and Sulekha play prank after prank on the unsuspecting jijaji.
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02 / FACES IN THE FRAME

Dr. Parimal Tripathi / Pyaremohan Illahabadi
Sulekha Chaturvedi
Jijaji (raghavendra)

Professor Sukumar Sinha
Prashant Kumar Shrivastav

Vasudha
James D'Costa