Night of the Eagle
Why this pick
Like The Witches, it brings supernatural menace into an outwardly ordinary British setting, building unease through scepticism, domestic rituals and an increasingly threatened protagonist.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Witches, it brings supernatural menace into an outwardly ordinary British setting, building unease through scepticism, domestic rituals and an increasingly threatened protagonist.
Why this pick
A poised, psychologically charged British Gothic chiller, with a woman facing sinister forces in an isolated household and tension sustained through atmosphere rather than overt shocks.
Why this pick
Its elegant black-and-white visual style and slow accumulation of dread echo The Witches’ preference for intelligent supernatural horror and a heroine whose perceptions are under pressure.
Why this pick
This offers a similarly serious, adult treatment of occult danger: British restraint, ritualistic menace and a determined struggle against an organised supernatural threat.
Why this pick
A compact, shadowy occult mystery in which a woman is drawn into a hidden urban world of sinister believers, favouring dread and moral chill over spectacle.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film opens with an English schoolteacher, Gwen Mayfield (Joan Fontaine), packing up her belongings at a missionary in Colonisation of Africa. The local witch doctors have led a rebellion, and they reach the school before she is able to escape—the shaman wearing a body mask. Gwen screams, and the scene dissolves to the opening credits.
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02 / FACES IN THE FRAME

Stephanie Bax
Linda Rigg

Valerie Creek

Mrs. Dowsett

Sally Benson

Gwen Mayfield

Alan Bax
Dowsett