The Others
Why this pick
Its secluded manor, watchful children, and exquisitely controlled uncertainty echo The Innocents’ intimate, psychologically charged Gothic dread.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its secluded manor, watchful children, and exquisitely controlled uncertainty echo The Innocents’ intimate, psychologically charged Gothic dread.
Why this pick
Like The Innocents, it turns childhood vulnerability into a source of haunting tension, using stark, storybook-shadow imagery and an atmosphere of encroaching evil.
Why this pick
A masterclass in suggestion over spectacle: oppressive architecture, unstable perception, and elegant black-and-white framing sustain a refined, unnerving ambiguity.
Why this pick
This melancholic ghost story similarly places children and a haunted institution at the center, balancing spectral unease with deep compassion and period-Gothic atmosphere.
Why this pick
A skeptical woman investigating strange events at an isolated school gives this a close structural kinship with The Innocents, with patient pacing and handsome period chill.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Miss Giddens applies for a job as a governess. It is to be her first position, but the wealthy bachelor interviewing her is unconcerned with her lack of experience. He values his freedom to travel and socialise and unabashedly confesses that he has "no room, mentally or emotionally" for his niece and nephew. They were orphaned and left in his care as infants, and he keeps them at Bly, his large country estate. The previous governess, Mary Jessel, died suddenly less than a year ago. All he cares about is that Miss Giddens accept full responsibility for the children, never troubling him with whatever problems may arise.
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02 / FACES IN THE FRAME

Miss Giddens

Peter Quint
Mrs. Grose
The Uncle
Flora