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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Fassbinder returns to West Germany’s economic miracle with the same glossy, bitter melodramatic charge: a shrewd woman navigates male power, desire and prosperity while the social critique stays razor-sharp.
02
Why this pick
Another Fassbinder portrait of postwar West Germany, rendered in stark, seductive black-and-white; its doomed heroine and institutional corruption echo Maria Braun’s blend of private longing and national malaise.
03
Why this pick
A ravishingly designed political melodrama in which erotic compromise and personal ambition become inseparable from a country’s moral collapse—close to Maria Braun’s fusion of intimate and historical damage.
04
Why this pick
Set under occupation, it balances survival, romance and professional calculation with elegant restraint. Its heroine’s resourcefulness and the pressure of history recall Maria’s unsentimental will to endure.
05
Why this pick
Fassbinder’s spare, color-saturated Douglas Sirk homage turns a love affair into a precise study of postwar German prejudice, loneliness and economic dependence—less sprawling, but equally piercing.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film starts in Germany in 1943. During an Allied bombing raid Maria (Hanna Schygulla) marries the soldier Hermann Braun (Klaus Löwitsch). After "half a day and a whole night" together, Hermann returns to the front. Postwar, Maria is told that Hermann has been killed. Maria starts work as a hostess in a bar frequented by American soldiers. She has a relationship with an African-American soldier Bill (George Byrd), who supports her and gives her nylon stockings and cigarettes. She becomes pregnant by Bill.
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02 / FACES IN THE FRAME
Karl Oswald
Mother
Frau Ehmke
Betti Klenze
Hans Wetzel
Maria Braun
Hermann Braun
Willi Klenze
