The Conformist
Why this pick
Its exquisitely controlled period design and morally compromised lives under fascism echo Truffaut’s blend of theatrical beauty, private desire, and political danger.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its exquisitely controlled period design and morally compromised lives under fascism echo Truffaut’s blend of theatrical beauty, private desire, and political danger.
Why this pick
A sumptuous, elegantly choreographed study of longing and social performance, with romantic tension expressed through spaces, costumes, and gliding camera movement.
Why this pick
Like The Last Metro, it finds great emotional stakes in restraint: mature desire, unspoken conflict, and a finely observed world of work and relationships.
Why this pick
This intimate drama sets a fragile human connection against an oppressive fascist spectacle, balancing political menace with tenderness and confined domestic tension.
Why this pick
Its richly staged interiors and melancholy attention to performance make social decline feel intimate, elegant, and emotionally resonant rather than merely historical.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
On his way to start rehearsals at the Théâtre Montmartre, where he has been hired as male lead for a new production, young Bernard Granger tries to talk to an attractive woman, who repeatedly rebuffs him. When he arrives, she turns out to be the costume designer Arlette, a lesbian. He is taken to see the icily beautiful Marion, who is both owner of the theater and leading lady. Her Jewish husband Lucas is believed to have left Paris but is in fact living in the cellars, where Marion visits him each evening to bring books and food and talk about the new production. However Marion is quite struck by Bernard, whom Lucas can just hear through a heating vent but never see. Unknown to anybody at the theater, Bernard is a member of a French Resistance group and delivers the bomb that kills a German admiral.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Marion Steiner

Bernard Granger
Marc
Greta Borg

Gestapo Officer

Lucas Steiner

Arlette Guillaume

Raymond Boursier