The Marriage of Maria Braun
Why this pick
Fassbinder's first postwar West Germany melodrama shares Lola's acidic view of reconstruction, where romantic survival and economic ambition become inseparable.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Fassbinder's first postwar West Germany melodrama shares Lola's acidic view of reconstruction, where romantic survival and economic ambition become inseparable.
Why this pick
Another of Fassbinder's postwar satires, rendered in ravishing monochrome; its glamour masks a merciless account of dependency, corruption, and a society eager to forget.
Why this pick
Bertolucci pairs sumptuous, highly controlled colour and period design with a caustic portrait of compromise, desire, and political self-deception.
Why this pick
A key source for Fassbinder's melodramatic visual language: saturated colour and polished surfaces turn wealth, longing, and family respectability into something feverish and cruel.
Why this pick
For Lola's taste for decadence and social rot, Visconti offers an equally lavish, poisonous melodrama in which private appetites mirror a nation's moral collapse.
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01 / THE STORY
In 1957 in the town of Coburg, as in most of West Germany, reconstruction is the watchword, and the élite of Coburg all benefit: the mayor, the police chief, the bank president, the newspaper editor and most of all, Shuckert. He is a property developer and also owns the town brothel which the other men frequent, his favourite worker being its singer Lola.
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02 / FACES IN THE FRAME

Wittich

Gigi

GI

von Bohm

Lola

Schuckert
Esslin