Love on the Run
Why this pick
Truffaut again uses a playful, fragmentary retrospective structure to examine romantic memory, attachment, and self-mythologising with warmth rather than condemnation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Truffaut again uses a playful, fragmentary retrospective structure to examine romantic memory, attachment, and self-mythologising with warmth rather than condemnation.
Why this pick
A more restrained Truffaut study of male desire and infidelity, with precise observation of everyday gestures and the emotional costs beneath bourgeois romance.
Why this pick
Its elegant, nostalgic visual style and intimate focus on adults negotiating love and memory echo the tender, reflective side of Truffaut’s romantic storytelling.
Why this pick
Antoine Doinel’s unsettled pursuit of love has the same affectionate irony, Parisian lightness, and curiosity about the gap between romantic fantasy and real people.
Why this pick
For the appeal of sophisticated French social observation, it turns desire, manners, and self-deception into a wittier, more surreal chain of encounters.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Montpellier: December 1976. At the funeral of Bertrand Morane, Genevieve (Fossey) observes the other mourners, all women once involved with him. The following is told in flashback.
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02 / FACES IN THE FRAME
Bertrand Morane

Geneviève Bigey
Delphine Grezel
Hélène
Véra

Martine Desdoits

Man at Funeral