The Man Who Loved Women
Why this pick
Truffaut again turns romantic restlessness into something tender, funny and rueful, using a light, conversational flow and affectionate attention to flawed adults.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Truffaut again turns romantic restlessness into something tender, funny and rueful, using a light, conversational flow and affectionate attention to flawed adults.
Why this pick
Another Antoine Doinel chapter, with Jean-Pierre Léaud's impulsive charm, Parisian texture, episodic comic mishaps and sincere romantic uncertainty.
Why this pick
A more sombre Truffaut companion, but it shares the intimate French atmosphere and profound sympathy for people whose lives are shaped by memory and attachment.
Why this pick
Its elegant talk, wintry French settings and gently ironic observation of desire make romance feel like an unfolding, character-led conversation.
Why this pick
Rohmer's sunlit, precise study of attraction has the same playful intelligence and ambivalence about romance, carried by naturalistic encounters rather than plot mechanics.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In the previous Antoine Doinel film, ''Bed and Board (1970 film)'', the marriage between Antoine (Jean-Pierre Léaud) and Christine (Claude Jade) had survived Antoine's infidelity.
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02 / FACES IN THE FRAME

Antoine Doinel

Colette Tazzi

Christine Doinel

Liliane

Sabine Barnerias
Xavier Barnerias
Monsieur Lucien