Hard to Be a God
Why this pick
Its immersive black-and-white world is similarly tactile, filthy and suffocating, using relentless physical detail and absurd cruelty to create a nightmare of social decay.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its immersive black-and-white world is similarly tactile, filthy and suffocating, using relentless physical detail and absurd cruelty to create a nightmare of social decay.
Why this pick
A pitch-black, formally precise Central European satire whose increasingly deranged protagonist turns ritual, death and domestic respectability into elegantly grotesque horror.
Why this pick
This stark folkloric fever dream shares Taxidermia’s blend of rural deprivation, deadpan absurdity and uncanny corporeal imagery, rendered in striking monochrome compositions.
Why this pick
A handcrafted stop-motion nightmare that transforms bodies and rooms with the same feverish, repellent imagination, balancing folk-tale strangeness with political menace.
Why this pick
Its circus-like tableaux, familial monstrosity and audacious body horror offer a comparably operatic mix of grotesque comedy, trauma and elaborate visual invention.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
At a remote Hungarian military outpost, orderly Morosgoványi Vendel lives a wretched existence of servitude beneath the heel of his lieutenant, Öreg Balatony Kálmán. Condemned to performing menial duties for the officer and his family while sleeping in an unheated shack next to the latrines, Morosgoványi frequently escapes into fantasy. So realistic are these fantasies that in one ambiguous instance, Morosgoványi sleeps with and impregnates the lieutenant's wife and "wakes up" to find himself engaged in an act of sodomy with a slaughtered pig. Upon seeing this, the lieutenant promptly executes Morosgoványi and raises the son, Balatony Kálmán, as his own.
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02 / FACES IN THE FRAME
