The Stuff
Why this pick
Another Larry Cohen New York nightmare, pairing an outrageously high-concept creature threat with sharp social satire, grisly shocks, and brisk B-movie momentum.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Another Larry Cohen New York nightmare, pairing an outrageously high-concept creature threat with sharp social satire, grisly shocks, and brisk B-movie momentum.
Why this pick
Cohen similarly turns citywide violence into an escalating investigative oddity, using rough-edged Manhattan locations, paranoid momentum, and increasingly uncanny religious imagery.
Why this pick
A grimy, street-level Manhattan monster picture with civic corruption, gruesome discoveries, and an appealingly unpolished early-’80s urban-horror texture.
Why this pick
Its sleek modern architecture becomes the site of a pulpy, violent technological menace; like Q, it finds inventive B-movie horror in a familiar city landmark.
Why this pick
A witty urban-creature feature that mixes police investigation, gleeful monster attacks, and satirical jabs at institutions without losing its lean exploitation-film energy.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The Aztec god Quetzalcoatl, a winged, dragon-like, female lizard, takes up residence in the art-deco spire of the Chrysler Building, with frequent jaunts in the midday sun to devour various helpless New Yorkers on the rooftops. The resulting bloody mess confounds detectives, Shepard and Powell, who are already occupied with a case involving a series of bizarre ritual murders linked to a secret neo-Aztec cult.
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02 / FACES IN THE FRAME

Powell

Shepard
Lt. Murray
Commissioner
Capt. Fletcher
Det. Hoberman
The Victim
Curator