The Stuff
Why this pick
Cohen again turns an outrageous high-concept menace into sharp, street-level social satire, with the same fast-moving New York paranoia and cheerfully disreputable genre energy.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Cohen again turns an outrageous high-concept menace into sharp, street-level social satire, with the same fast-moving New York paranoia and cheerfully disreputable genre energy.
Why this pick
Its detective-led investigation, Catholic dread and escalating sense of an unseen force make it a particularly strong companion, balancing procedural dialogue with unnerving supernatural unease.
Why this pick
A homicide detective follows a chain of seemingly inexplicable killings in an austere, deeply unsettling thriller that shares the original's spiritual unease and investigative momentum.
Why this pick
This propulsive urban cop thriller begins with irrational public violence and steadily broadens into strange science-fiction horror, preserving the pulpy escalation and conspiratorial momentum of Cohen's film.
Why this pick
For the same era's wild blend of occult anxiety, medical investigation and increasingly unbelievable supernatural spectacle, delivered with total straight-faced commitment.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In New York City, a sniper perched atop a water tower opens fire with a .22 long rifle rifle on the crowded streets below, randomly killing fifteen pedestrians. Peter Nicholas (Tony Lo Bianco), a devout Roman Catholicism New York City Police Department detective, climbs the tower to talk to the sniper. Before jumping to his death, the gunman tells Nicholas that God told him to commit the murders.
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02 / FACES IN THE FRAME
Casey Forster
Martha Nicholas
Deputy Commissioner
Bernard Phillips
Harold Gorman
Richards
Board Chairman
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