The Congress
Why this pick
Its fractured blend of lived experience, fantasy and artistic self-revision echoes Providence’s interest in identity as something invented, recast and painfully negotiated.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its fractured blend of lived experience, fantasy and artistic self-revision echoes Providence’s interest in identity as something invented, recast and painfully negotiated.
Why this pick
A caustic portrait of an ageing artist assembled through competing perspectives, with formally restless storytelling and the same uneasy overlap between performance, memory and cruelty.
Why this pick
Fosse turns a self-destructive creator’s final reckoning into a flamboyant, mordant hallucination, matching Providence’s theatrical artifice and bracing emotional self-examination.
Why this pick
An artist’s memories, desires and unfinished work flow into one another with playful formal freedom, offering a more exuberant counterpart to Providence’s authorial labyrinth.
Why this pick
Its son’s investigation into his father becomes a poised maze of myth, repetition and unreliable remembrance—an intimate puzzle with Providence’s elegant, unsettling artificiality.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour. His son Claude appears as a cold and unforgiving prosecuting lawyer, who revels in spiteful repartee. His second (illegitimate) son Kevin features as an idealistic soldier accused of the mercy-killing of an old man who was being hunted down. Sonia, the wife of Claude, shows sympathy with Kevin and seems eager to seduce him in protest at her husband's callousness. Clive also invents the character of Helen, as Claude's mistress, but she bears the features of Clive's dead wife Molly who committed suicide. Clive's imagination is also haunted by scenes of an autopsy on the corpse of an old man, a military round-up of elderly people who are detained in a sports stadium, and a dark tangled forest in which a hunted man metamorphoses into a werewolf. Before Clive loses consciousness, it is Kevin whom he sees as the werewolf in the forest; Claude shoots Kevin but seems to identify him with their father.
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02 / FACES IN THE FRAME

Molly Langham / Helen Wiener

Miss Boon
Nils

Clive Langham

Sonia Langham

Kevin Langham / Kevin Woodford
Dave Woodford
Doctor Mark Eddington