The Conformist
Why this pick
Bertolucci turns Fascist-era Italy into a dreamlike moral labyrinth, with fractured memory, political theatre, and an exquisitely composed sense of menace akin to The Spider’s Stratagem.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Bertolucci turns Fascist-era Italy into a dreamlike moral labyrinth, with fractured memory, political theatre, and an exquisitely composed sense of menace akin to The Spider’s Stratagem.
Why this pick
Its investigation becomes a corrosive game of power, identity, and public mythmaking, sustained by the same stylized unease and distrust of official narratives.
Why this pick
A Fascist-era story filtered through collective recollection, balancing political violence with fable-like imagery and the unstable boundary between legend and lived history.
Why this pick
Its elegant, enclosed world gradually reveals the pressure of Fascist Italy; the film shares the melancholy, memory-soaked atmosphere and visual richness of Bertolucci’s mystery.
Why this pick
Antonioni offers another identity-haunted investigation, unfolding through alienated landscapes, elusive motives, and patient, hypnotic suspense rather than conventional detection.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
At the request of his father's mistress, Draifa, Athos Magnani arrives by train in the (fictional) town of Tara, where his father, also named Athos Magnani, was killed before his birth. The father, remembered as a resistance hero and whom his son greatly resembles, was killed by unknown fascists in 1936—or so says Draifa, the statue in the square, and everyone in the town. Draifa contacted Athos after seeing his picture in a newspaper and expects him to solve or avenge his father's murder. He hears that a few days before his father's death, a fortune teller had predicted his death, as in ''Macbeth'', and on his corpse was an unopened letter warning him not to go ahead, as in ''Julius Caesar (play)''.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME
Athos Magnani
Draifa