Enough Said
Why this pick
Like People, Places, Things, it finds humor and tenderness in middle-aged dating, co-parenting, and emotional awkwardness, with a relaxed, observant rhythm and generous view of imperfect adults.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like People, Places, Things, it finds humor and tenderness in middle-aged dating, co-parenting, and emotional awkwardness, with a relaxed, observant rhythm and generous view of imperfect adults.
Why this pick
Its dry wit and low-key indie warmth echo People, Places, Things, pairing wounded adults with funny, specific everyday moments and a deeply compassionate emotional undercurrent.
Why this pick
A candid, sharply funny relationship comedy with the same unforced New York indie texture, emotional maturity, and affection for people navigating messy lives without melodrama.
Why this pick
This similarly humane romantic comedy balances conversational jokes with sincere complications between partners and families, keeping its characters flawed, likable, and emotionally believable.
Why this pick
For the gentle, adult-oriented humor and restorative feel of People, Places, Things, this road movie offers a loose, charming look at friendship, divorce, and starting over.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film begins with Will Henry (Jemaine Clement), a graphic novelist and art instructor, adjusting decorations for the birthday party of his five-year-old twin daughters, Clio (Aundrea Gadsby) and Colette (Gia Gadsby). As he searches for his longtime partner, Charlie (Stephanie Allynne), he ends up walking in on her and Gary (Michael Chernus), a monologist she's having an affair with. Charlie tells him that she's not happy with their relationship and is leaving him for Gary.
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02 / FACES IN THE FRAME
Charlie

Kat

Gary

Diane

Will Henry