The Savages
Why this pick
Its estranged siblings navigate a painful family crisis with the same dry, unsentimental wit and affection that make The Skeleton Twins moving rather than mawkish.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its estranged siblings navigate a painful family crisis with the same dry, unsentimental wit and affection that make The Skeleton Twins moving rather than mawkish.
Why this pick
A delicate, funny drama about adult siblings whose old intimacy and disappointments resurface; it shares The Skeleton Twins’ lived-in performances and emotional honesty.
Why this pick
This sharp family dramedy balances mortality, uncomfortable humor, and love without smoothing over its characters’ selfishness—close to The Skeleton Twins’ bittersweet emotional register.
Why this pick
A stalled man moving in with his sister creates a similarly low-key, New York-adjacent portrait of damaged family bonds, awkward humor, and gradual reconnection.
Why this pick
Its fractured family gathering has the same generosity toward flawed people: funny in the details, quietly sad underneath, and more interested in connection than tidy reconciliation.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Milo (Hader) writes a suicide note and cuts his wrists. Meanwhile, Maggie (Wiig) is in her bathroom preparing to swallow a handful of pills, but is interrupted by a call from a hospital informing her that her brother – whom she hasn't seen in 10 years – has unsuccessfully attempted suicide. Maggie visits Milo in the hospital in Los Angeles, and suggests that he come to stay with her in their hometown of Nyack, New York for a while; he reluctantly agrees. Milo meets Maggie's gregarious husband Lance (Luke Wilson), who tells Milo he and Maggie are trying to have a baby. This surprises Milo, as Maggie never expressed wanting children. Milo reacquaints himself with the town, and observes Rich (Burrell), a middle-aged man working in a bookstore. Meanwhile, Maggie is taking scuba lessons, and having sex with the instructor, Billy (Holbrook).
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02 / FACES IN THE FRAME

Maggie Dean

Lance

Judy

Carlie Van der Hoff
Young Maggie Dean
Bar Woman
Police Officer

Billy