The Other
Why this pick
Like Our Mother's House, it filters grave childhood distress through an enclosed domestic world, balancing innocence, ritual, and a steadily deepening sense that adult safeguards have failed.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Our Mother's House, it filters grave childhood distress through an enclosed domestic world, balancing innocence, ritual, and a steadily deepening sense that adult safeguards have failed.
Why this pick
A close companion in its portrait of siblings sealing themselves inside a decaying home after parental loss, with secrecy and improvised family roles creating unnerving intimacy.
Why this pick
Its child-centred gaze, quiet rural isolation, and blurred boundary between private fantasy and painful reality echo Clayton’s hauntingly tender treatment of childhood coping.
Why this pick
Clayton brings the same patient, elegant unease and compassionate attention to children here, building dread through silences, a secluded house, and uncertainty rather than overt shocks.
Why this pick
Two children must protect one another from an adult threat in a story with a similarly storybook-dark visual world, emotional vulnerability, and dreamlike menace.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The seven Hook children, whose ages range from five to fourteen, live in a dilapidated Victorian house in suburban London. The older children help to care for their invalid single mother, whose chronic illness has led to her to convert to fundamentalist religion and refuse all medical help. When their mother dies suddenly, the children realise that they may be split up and sent to orphanages, so they decide to conceal their mother's death and carry on with their daily routine as if she were still alive. They secretly bury their mother in the back yard at night, and convert the garden shed into a shrine to her, where they periodically hold seances to communicate with her spirit.
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02 / FACES IN THE FRAME

Jiminee
Doreen
Diana

Gertie

Mrs. Quayle
Mr. Halbert
Mother