Kill Baby, Kill
Why this pick
Bava’s village nightmare has the same ornate, dream-logic unease: baroque interiors, spectral figures, and a reality that seems to drift further out of reach.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Bava’s village nightmare has the same ornate, dream-logic unease: baroque interiors, spectral figures, and a reality that seems to drift further out of reach.
Why this pick
Its sensual European gothic imagery, isolated mansion setting, and unstable erotic menace closely suit the feverish, decadent spell of Lisa and the Devil.
Why this pick
This giallo slides from urban paranoia into occult delirium, matching the 1970s Italian visual excess and the seductive uncertainty of Bava’s nightmare.
Why this pick
Elegant hotel spaces, saturated color, and coolly ritualized menace create a similarly luxurious, uncanny atmosphere where desire and danger feel inseparable.
Why this pick
More restrained but equally uncanny, it turns an Italian provincial landscape into a slow, hypnotic investigation of art, death, and buried evil.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Tourist Lisa Reiner (Elke Sommer) wanders away from her tour group in Toledo, Spain to go shopping inside a store, where she encounters a man named Leandro (Telly Savalas), who is purchasing a dummy and a carousel Lisa attempts to buy. Due to his resemblance to the portrait of the devil in a fresco she has just seen, Lisa flees, only to be confronted by a mustachioed gentleman...who falls from a flight of stairs to his apparent death.
02 / FACES IN THE FRAME

Leandro

Lisa Reiner
Francis Lehar
Sophia Lehar

George
Contessa