cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Like Avati’s film, it turns an elegant Italian setting into a progressively claustrophobic nightmare, letting ambiguous memories, ominous imagery and fractured trust build dread at an unhurried pace.
02
Why this pick
Its outsider protagonist enters an isolated Italian town and uncovers a carefully guarded past. The atmosphere is sunlit yet deeply uneasy, with place, memory and local silence becoming the real source of suspense.
03
Why this pick
A stylish, melancholy giallo with a patient investigative rhythm, elusive witnesses and a pervasive sense that every polished surface conceals something rotten.
04
Why this pick
It shares the slow-burn discovery of a hidden, insular world. Its dreamlike European visuals and mounting paranoia favor ominous atmosphere and unsettling implication over constant shocks.
05
Why this pick
Venetian beauty and decaying grandeur frame a somber investigation, giving it the same blend of artful imagery, gradual revelation and dread lurking behind a picturesque Italian locale.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Stefano (Lino Capolicchio) arrives in a village of the Valli di Comacchio area where he has been employed to restore a fresco depicting what appears to be the martyring of Saint Sebastian, which has been painted on a rotting wall of the local church by a mysterious, long-dead artist named Legnani. While temporarily taking up residence in the house that had been previously owned by the two sisters of the deceased painter, Stefano begins a romance with a new, beautiful schoolteacher, Francesca (Francesca Marciano), meanwhile learning from various townspeople that the painter had been a madman who had derived his art from real life. Specifically, Stefano learns that the artist — assisted by his two equally-insane sisters — had been a killer who brutally tortured people to death as inspiration for his horrific paintings — a practice that had likely been used for the very painting he is in process of restoring. As Stefano is discouraged for his task throughout the town, some of the villagers are brutally killed — including his employer — and he comes to suspect that their murderer is trying to deter him from discovering the full truth behind the artist and his ominous legacy within the sleepy community.
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02 / FACES IN THE FRAME
Francesca
Coppola
Stefano
Antonio Mazza
Mayor Solmi
Lidio
Police Marshall
