cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Martino pairs a traumatised heroine with feverish dream imagery, erotic unease, and elegant giallo set-pieces, sustaining the same unstable line between psychological dread and physical danger.
02
Why this pick
A lush, disorienting giallo where nightmares and waking life bleed together. Its subjective visuals, London milieu, and mounting suspicion closely suit the hallucinatory anxiety of All the Colors of the Dark.
03
Why this pick
Its glamorous gothic styling, family curse atmosphere, vivid colour design, and masked-killer tension offer a similarly baroque giallo experience without sacrificing momentum.
04
Why this pick
Fulci trades urban psychedelia for a hostile rural setting, but keeps the era's sensual visual flair, occult shadow, corrosive paranoia, and uneasy collision of trauma and investigation.
05
Why this pick
This slow-burning Italian nightmare centers on a woman haunted by childhood memories, surrounding her with sleek modern spaces and increasingly uncanny ritualistic dread.
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01 / THE STORY
Jane lives in London with Richard, her boyfriend. When she was five, her mother was murdered, and she recently lost a baby in a car crash. She's plagued by nightmares of a knife-wielding, blue-eyed man. Richard, a pharmaceutical salesman, thinks the cure is vitamins; Jane's sister Barbara, who works for a psychiatrist, recommends analysis; a neighbor Jane's just met promises that if Jane participates in a Black Mass, all her fears will disappear. Jane tries the Mass, but it seems to bring her nightmares to life.
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02 / FACES IN THE FRAME
Jane Harrison
J.P. McBain
Francis Clay (as Alan Collins)
Richard Steele
