Things to Come
Why this pick
Like Claire Denis’s film, it follows a cultivated Parisian woman through romantic and emotional uncertainty with lucid observation, dry wit, and an unhurried, intimate rhythm.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Claire Denis’s film, it follows a cultivated Parisian woman through romantic and emotional uncertainty with lucid observation, dry wit, and an unhurried, intimate rhythm.
Why this pick
A similarly French, tactile study of desire and disillusionment, shaped by elliptical scenes, fragile connections, and a quietly searching emotional atmosphere.
Why this pick
For its unsparing focus on a sophisticated woman’s erotic life and self-protective contradictions, though with a far colder and more severe emotional register.
Why this pick
Its exquisite visual control and patient attention to longing, missed connection, and the private rituals of attraction echo the sensual melancholy beneath Isabelle’s encounters.
Why this pick
A warmer, more conversational counterpart: an adult woman navigates dating, self-doubt, and desire with perceptive humor rather than easy romantic resolution.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
After sleeping with married banker Vincent, an artist Isabelle has romantic relationships with other men.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Le voyant (The seer)

Maxime

L'homme Fin (The end man))

Admiratrice de l'acteur (Admirer of the actor)

Mathieu

Isabelle

Vincent

L'acteur (The actor)