The Souvenir
Why this pick
Like Mia Hansen-Løve’s film, it observes a woman’s intellectual and emotional self-definition with restraint, elliptical time shifts, and an unforced, quietly devastating intimacy.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Mia Hansen-Løve’s film, it observes a woman’s intellectual and emotional self-definition with restraint, elliptical time shifts, and an unforced, quietly devastating intimacy.
Why this pick
Another exquisitely calm Hansen-Løve study of a woman reassessing love, work, and possibility; its reflective rhythms and sunlit melancholy closely suit Things to Come.
Why this pick
Reichardt shares Hansen-Løve’s spare, humane attention to women navigating dissatisfaction and transition, finding weight in silences, routines, and subtly altered directions.
Why this pick
Its composed architecture, gentle conversation, and thoughtful attention to stalled lives create the same lucid, contemplative space in which emotional shifts can register almost imperceptibly.
Why this pick
This wry, airy chamber piece turns repetition and small social encounters into a graceful meditation on uncertainty, romantic misalignment, and the freedom of starting again.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
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02 / FACES IN THE FRAME

Nathalie Chazeaux

Heinz

Yvette
Chloé

Copain de Chloé

Élève lycée