cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Its small, sealed-in workplace setting and methodical escalation closely match Last Shift’s claustrophobic dread, with two people gradually realizing they are trapped with something malign.
02
Why this pick
A decaying institutional space becomes the engine of the horror here too. It shares Last Shift’s oppressive empty-building atmosphere and slow uncertainty over what is supernatural, psychological, or both.
03
Why this pick
This is another nightmarish siege in a nearly abandoned public building, escalating from ominous isolation into relentless occult panic with a similarly grim, practical-horror sensibility.
04
Why this pick
Set largely inside a police station over one increasingly terrible night, it offers the same confined workplace tension, hostile authority figures, and supernatural menace closing in from every direction.
05
Why this pick
Its final days in a near-empty workplace create a more patient but very compatible strain of haunted-building suspense, balancing lonely shifts, strange noises, and mounting paranormal unease.
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01 / THE STORY
Jessica Loren, a rookie police officer on her first assignment, is ordered to take the last shift at a police station before it is permanently closed. Her mother pleads with her not to take the job, as her father, also a police officer, was killed while on duty. After assuring her mother that the shift will be uneventful, she reports for duty. Loren surprises her commanding officer Cohen, who demands that she turn around. He leads her on a brief tour, during which he explains that a HAZMAT team will be there shortly to collect evidence that is difficult to dispose of and that she is not permitted to leave her post. Before he leaves, he gives Loren his phone number in case of emergency.
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02 / FACES IN THE FRAME
Jessica Loren
John Michael Paymon
Grip Cohen
Patrick Black
Kitty Paymon
Marigold
Officer Ryan Price
