Cure
Why this pick
Its quiet, procedural surface gradually gives way to spiritual unease and destabilising ambiguity, matching Roeg’s patient tension and sense of an unseen force closing in.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its quiet, procedural surface gradually gives way to spiritual unease and destabilising ambiguity, matching Roeg’s patient tension and sense of an unseen force closing in.
Why this pick
A restrained ghost story rooted in grief, it shares the intimate emotional wound and quietly uncanny intrusions that make Don't Look Now feel so mournful and threatening.
Why this pick
This sleek, unsettled study of mourning and possible contact with the dead sustains a similar ambiguity: intimate loss becomes inseparable from escalating supernatural suspicion.
Why this pick
Its disorienting editing, isolated setting, and unstable point of view create a feverish psychological-horror experience close to the sensory uncertainty of Roeg’s film.
Why this pick
It shares Don't Look Now’s dreamlike visual elegance and refusal to resolve its central unease, letting landscape, ritual, and absence generate a lingering spell.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Laura Baxter
Wendy
Bishop Barbarrigo

John Baxter
Heather
Hotel Manager

Anthony Babbage
Mandy Babbage