The Beguiled
Why this pick
Its isolated girls’ school, mannered historical world, and steadily tightening unease echo the unsettling contrast between decorum and buried desire in Picnic at Hanging Rock.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its isolated girls’ school, mannered historical world, and steadily tightening unease echo the unsettling contrast between decorum and buried desire in Picnic at Hanging Rock.
Why this pick
A lush, subjective portrait of intense girlhood friendship, fantasy, and repression, with period textures that gradually acquire a disquieting emotional charge.
Why this pick
Its patient, dreamlike imagery and child’s-eye sense of mystery create the same uncanny feeling that the natural world holds meanings adults cannot reach.
Why this pick
This sun-bleached rural nightmare shares Hanging Rock’s beautiful surfaces and ominous ambiguity, filtering adult secrets through a heightened, mythic vision of childhood.
Why this pick
For the same hypnotic, carefully composed atmosphere: ornate femininity, erotic unease, and an unreal sense of time create a poised, sinister reverie.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
At Appleyard College, a girls' private school, near the town of Woodend, Victoria, Australia, the students are dressing on the morning of Valentine's Day, 1900. Miranda (Anne-Louise Lambert), Irma (Karen Robson), Marion (Jane Vallis), Rosamund (Ingrid Mason), waifish Sara (Margaret Nelson), and outsider Edith (Christine Schuler) read poetry and Valentine's Day cards.
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02 / FACES IN THE FRAME

Mrs. Appleyard
Mlle. Dianne de Poitiers
Miss Dora Lumley
Tom
Sara Waybourne
Blanche Gifford
Col. Fitzhubert

Albert Crundall