3 Women
Why this pick
Altman again turns identity into a slippery, dreamlike experience, using dislocated performances and an uncanny desert atmosphere rather than conventional horror mechanics.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Altman again turns identity into a slippery, dreamlike experience, using dislocated performances and an uncanny desert atmosphere rather than conventional horror mechanics.
Why this pick
Its intimate two-woman chamber drama makes fractured identity, intrusive images, and emotional uncertainty feel chillingly immediate through severe, hallucinatory visual control.
Why this pick
Like Images, it filters grief and marital strain through unstable perception, fragmented editing, and a richly ominous world where certainty steadily erodes.
Why this pick
A psychologically besieged protagonist confronts a reality that grows more alien and threatening, with darkly comic unease and precise, claustrophobic paranoia.
Why this pick
This is a more concentrated descent into subjective terror: domestic spaces become hostile extensions of a woman’s increasingly unreliable perceptions.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Wealthy children's author Cathryn (Susannah York) receives a series of disturbing phone calls in her home in London one dreary night; the female voice on the other end, sometimes cutting in on other phone conversations, suggests mockingly that her husband Hugh (René Auberjonois) is having an affair. Hugh comes home, finding Cathryn in distress. As Hugh attempts to comfort her, Cathryn witnesses a different man who is behaving as if he were her husband. She screams in horror and backs away, only to see her vision of the figure revert to her husband.
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02 / FACES IN THE FRAME

Cathryn

Hugh

Susannah

Old Man
Rene