The Man Who Left His Will on Film
Why this pick
Oshima again fuses political unease with radical form: a missing filmmaker and contested footage turn identity, memory, and state violence into an abrasive, self-questioning mystery.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Oshima again fuses political unease with radical form: a missing filmmaker and contested footage turn identity, memory, and state violence into an abrasive, self-questioning mystery.
Why this pick
Its fractured chronology, stark compositions, and intellectual provocations create a similarly confrontational examination of history, ideology, sexuality, and the stories authorities permit.
Why this pick
Imamura’s caustic social portrait has the same refusal of sentimental judgment, using dark humor and an unsparing view of postwar Japanese institutions to expose systemic cruelty.
Why this pick
Its chillingly detached account of crime and social hypocrisy shares Death by Hanging’s interest in culpability, official morality, and the unnerving gap between legal labels and human reality.
Why this pick
This volatile documentary confronts Japanese wartime accountability head-on; its confrontational method and ethical unease echo the earlier film’s attack on sanitized institutional authority.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
A documentary-like opening introduces a death chamber where an execution is about to take place. Inexplicably, the man to be executed, an ethnic Korean known only as R, survives hanging but loses his memory. The officials who witness the hanging debate how to proceed, as the law could be interpreted as forbidding execution of an individual who does not recognize their crime and its punishment.