CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1969
Eros + Massacre posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1969 3h 35m JPN

IF THIS ONE STAYED WITH YOU

Movies like
Eros + Massacre

Drama
IMDbView on IMDb
CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Eros + Massacre, try these.

Heroic Purgatory poster 01

Movie / 1970 / Drama

Heroic Purgatory

Why this pick

Yoshida again fractures time, political memory and intimate relationships into a cool, elusive modernist puzzle, with the same rigorous widescreen compositions and restless questioning of revolutionary ideals.

Coup d'Etat poster 02

Movie / 1973 / Drama

Coup d'Etat

Why this pick

A similarly audacious historical portrait from Yoshida: radical thought, erotic obsession and state violence are rendered in stylised colour tableaux rather than conventional biography.

The Man Who Left His Will on Film poster 03

Movie / 1970 / Drama

The Man Who Left His Will on Film

Why this pick

Its unstable investigation into a dead radical’s filmed traces shares Eros + Massacre’s fusion of politics, desire and historical inquiry, while formally challenging any single reliable perspective.

Pastoral: To Die in the Country poster 04

Movie / 1974 / Fantasy / Drama

Pastoral: To Die in the Country

Why this pick

Terayama turns recollection into a theatrical, vividly artificial labyrinth where past selves confront the present—an equally daring, sensual alternative to straightforward historical narrative.

Funeral Parade of Roses poster 05

Movie / 1969 / Drama

Funeral Parade of Roses

Why this pick

Its documentary-fiction collisions, confrontational New Wave energy and fluid shifts in identity make it a strong match for the intellectual playfulness and radical form of Eros + Massacre.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

The film is a biography of Anarchism Sakae Osugi, who was assassinated by the Japanese military in 1923. The story tells of his relationship with three women: Hori Yasuko, his wife; Noe Ito, his third lover, who was to die with him; and his jealous, second lover, Kamichika Ichiko, a militant Feminism who attempts to kill him in a tea house in 1916. Parallel to the telling of Ōsugi’s life, two students (Eiko and Wada) do research on the political theories and ideas of free love that he upheld. Some of the characters from the past and from the present meet and engage the themes of the film.