CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1963
The Insect Woman posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1963 2h 3m JPN

IF THIS ONE STAYED WITH YOU

Movies like
The Insect Woman

Drama
IMDbView on IMDb
CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved The Insect Woman, try these.

Intentions of Murder poster 01

Movie / 1964 / Drama

Intentions of Murder

Why this pick

Imamura again follows a working-class woman with fierce, unsentimental attention, blending social pressure, sexual power struggles and darkly comic resilience.

Pigs and Battleships poster 02

Movie / 1961 / Action / Comedy / Crime / Drama

Pigs and Battleships

Why this pick

Its raw, crowded portrait of postwar Yokosuka shares The Insect Woman’s appetite for society at its most compromised, with restless energy and mordant humor.

The Pornographers poster 03

Movie / 1966 / Drama

The Pornographers

Why this pick

A caustic, earthy study of marginal lives and improvised survival, driven by Imamura’s fascination with desire, hypocrisy and economic desperation.

Black Rain poster 04

Movie / 1989 / Drama

Black Rain

Why this pick

A more restrained Imamura drama, but equally attentive to how historical catastrophe marks ordinary lives, especially women navigating stigma and endurance.

The Ballad of Narayama poster 05

Movie / 1983 / Drama

The Ballad of Narayama

Why this pick

Its harsh rural world and blunt physicality extend Imamura’s anthropological eye, confronting survival, custom and human instinct without sentimentality.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

A woman, Tome, (Sachiko Hidari) is born to a lower-class family in Japan in 1918. The film is a metaphor for life in Japan through the middle twentieth century, including World War II. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

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02 / FACES IN THE FRAME

The people who bring it to life.

Hiroyuki Nagato

Hiroyuki Nagato

Matsunami