The Eel
Why this pick
Imamura returns to a close-knit Japanese community with the same unsentimental empathy, earthy humor, and patient observation of instinct, shame, and survival.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Imamura returns to a close-knit Japanese community with the same unsentimental empathy, earthy humor, and patient observation of instinct, shame, and survival.
Why this pick
Its probing, unvarnished view of human appetite and social hypocrisy carries the same fierce, anthropological attention to behavior that powers The Ballad of Narayama.
Why this pick
A more restrained period drama, but similarly attentive to family obligation, poverty, aging, and the dignity found in difficult daily responsibilities.
Why this pick
This severe rural drama studies a secluded community whose traditions govern bodies and choices, echoing Narayama's sense of collective custom becoming moral pressure.
Why this pick
Its austere rhythm and elemental rural hardship create a similarly physical meditation on endurance, dwindling resources, and life continuing under an implacable order.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film is set in a small rural village in Japan in the 19th century. According to tradition, once a person reaches the age of 70 he or she must travel to a remote mountain to die of starvation, a practice known as ubasute. The story concerns Orin, who is 69 and of sound health, but notes that a neighbor had to drag his father to the mountain, so she resolves to avoid clinging to life beyond her term. She spends a year arranging all the affairs of her family and village: she severely punishes a family who are hoarding food, and helps her younger son lose his virginity.
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02 / FACES IN THE FRAME

Orin

Risuke

Tsune