Stories We Tell
Why this pick
Like Cameraperson, it turns personal nonfiction into a searching reflection on memory, authorship, and the ethics of shaping real lives, with an intimate, formally playful approach.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Cameraperson, it turns personal nonfiction into a searching reflection on memory, authorship, and the ethics of shaping real lives, with an intimate, formally playful approach.
Why this pick
Kirsten Johnson again uses candid family footage and staged invention to confront mortality with unusual warmth, self-awareness, and darkly buoyant humor.
Why this pick
A roaming first-person essay documentary that finds philosophy and tenderness in chance encounters, making the filmmaker’s gaze and presence part of the subject.
Why this pick
Its probing collage of surveillance, policing, and image-making shares Cameraperson’s fascination with what cameras reveal, omit, and ethically transform.
Why this pick
Beginning with an observational premise, it patiently becomes a humane study of loneliness, care, and the complicated line between witnessing and intervening.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
An English synopsis isn’t available for this title yet.
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02 / FACES IN THE FRAME
Herself (archive footage)
Himself (archive footage)