The Arbor
Why this pick
Like Sarah Polley’s film, this formally daring documentary reconstructs personal testimony into an intimate, layered inquiry about memory, family, and who gets to tell a life story.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Sarah Polley’s film, this formally daring documentary reconstructs personal testimony into an intimate, layered inquiry about memory, family, and who gets to tell a life story.
Why this pick
A deeply personal nonfiction mosaic that finds emotional truth in fragments, combining the filmmaker’s presence, accumulated footage, and ethical reflection without forcing easy conclusions.
Why this pick
Its playful staged inventions and aching father-daughter intimacy echo the way Stories We Tell uses artifice not to diminish truth, but to approach emotionally elusive realities.
Why this pick
A tender, deceptively constructed-feeling documentary whose patient observation turns an unusual premise into a humane reflection on loneliness, performance, and connection.
Why this pick
For the pleasure of a documentary that openly plays with authorship and reliability: Welles makes questions of truth, storytelling, and cinematic manipulation feel witty and exhilarating.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
An English synopsis isn’t available for this title yet.
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02 / FACES IN THE FRAME
Himself - Storyteller
Himself - Storyteller
Himself - Storyteller
Herself - Storyteller
Himself - Storyteller
Himself - Storyteller

Himself - Storyteller
Herself - Storyteller