Cameraperson
Why this pick
Like All Light, Everywhere, it interrogates the camera’s apparent neutrality, but through a personal, collage-like assemblage that makes observation itself feel ethically charged.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like All Light, Everywhere, it interrogates the camera’s apparent neutrality, but through a personal, collage-like assemblage that makes observation itself feel ethically charged.
Why this pick
A playful yet probing essay film about authorship, deception, and belief, with the same alertness to how images manufacture authority and certainty.
Why this pick
Built entirely from official footage, this unsettling archival construction exposes how power choreographs its own visibility—an incisive companion to Anthony’s inquiry into institutional images.
Why this pick
Anthony’s earlier Baltimore essay uses a similarly associative, slyly analytical form to connect urban systems, classification, and the politics hidden inside supposedly objective knowledge.
Why this pick
Marker blends investigation, digital mediation, and historical memory into an essayistic inquiry about what screens can preserve, distort, and make emotionally immediate.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A far-ranging look at the biases in how we see things, focusing on the use of police body cameras.
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02 / FACES IN THE FRAME
Theo Anthony
Narration
Focus Group New York City NY
Self - Persistent Surveillance Systems
Self - Axon Enterprise