A Man and a Woman
Why this pick
Lelouch’s lyrical blend of memory, chance, romance and shifting visual textures has the same sweeping, intimate emotional rhythm as And Now My Love.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Lelouch’s lyrical blend of memory, chance, romance and shifting visual textures has the same sweeping, intimate emotional rhythm as And Now My Love.
Why this pick
A fractured, memory-inflected love story whose elegant shifts through time turn romantic regret into something quietly suspenseful and deeply felt.
Why this pick
Its glamorous, globe-spanning romantic momentum and prickly chemistry offer a lighter counterpart to Lelouch’s faith in coincidence and grand feeling.
Why this pick
A richly cinematic French melodrama where wartime history, performance and concealed desire entwine with graceful, emotionally precise storytelling.
Why this pick
For its unabashed romantic scale: a feverish Paris love story rendered with visual bravura, melancholy, and the sense that love can remake a life.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The story begins in France with a black-and-white, silent film-style sequence in the pre-World War I era, where a woman (Judith Magre) meets a man (Charles Denner) operating a prototypical Lumiere movie camera in a park. After charming her into taking a turn operating the crank on his camera, she is next seen bearing his child while he is enlisted in the French army, documenting soldiers in a trench. He receives a telegram announcing the birth of his son, but is killed by enemy fire quickly after. His widow and young son are given posthumous medals for his service by a general (Daniel Boulanger). The general later takes a fancy to a chorus girl (Marthe Keller), whom he quickly marries. His wife bears him a daughter, but is previously shown cheating on him with his younger aide-de-camp. The general kills her upon discovering her infidelity. (This scene is omitted, but flashed back to later on, in the U.S. release version.) On the same day as her death, the shooting of the Romanov family takes place, and a brief montage of the succeeding Russian leaders is shown.
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02 / FACES IN THE FRAME
Sarah's Father / Operator / Sarah's Grandfather

Sarah's Italian Girlfriend
Lawyer's Wife
Lawyer

Simon

David Goldman's mother