November
Why this pick
Its stark black-and-white village world, deadpan peasant superstition, and uncanny creatures carry Viy’s folkloric dread while making the supernatural feel inseparable from everyday life.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its stark black-and-white village world, deadpan peasant superstition, and uncanny creatures carry Viy’s folkloric dread while making the supernatural feel inseparable from everyday life.
Why this pick
A wintry folktale of forbidden desire and shapeshifting witchcraft, told with austere imagery and dreamlike unease rather than modern horror mechanics.
Why this pick
This severe historical nightmare pairs rural isolation and religious authority with an oppressive sense that irrational evil may be real—or violently imposed.
Why this pick
Another hallucinatory Ukrainian encounter with Gogol-inflected folklore, full of earthy ritual, grotesque magic, and increasingly feverish visual invention.
Why this pick
Its fairy-tale village, predatory supernatural figures, and ornate Gothic strangeness echo Viy’s blend of innocence, sensuality, and nightmare logic.
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01 / THE STORY
As a class of seminary students are sent home for vacation, three of them get lost on the way in the middle of the night. One spots a farmhouse in the distance, and they ask the old woman at the gate to let them spend the night. She agrees, on the condition that they sleep in separate areas of the farm. As one of them, Khoma, lies down in the barn to sleep, the old woman comes to him and tries to seduce him, which he staunchly refuses. She puts him under a spell, and makes him lie down so she can climb on his back. She then rides him around the countryside like a horse. Khoma suddenly finds that they are flying and realizes she is a witch. He demands that she put him back down, and as soon as they land, he grabs a stick and beats her violently. As she cries out that she's dying, he looks and sees she has turned into a beautiful young woman. Horrified, he runs back to his seminary, where he finds the Rector has sent for him. Khoma is told that a rich merchant has a daughter who is dying and needs prayers for her soul, and that she specifically asked for Khoma by name. He refuses to go, but the Rector threatens him with a public beating, so he relents and finds he is returning to the farm where he met the witch. The girl dies before he gets there, and to his horror, he realizes she is the witch, and that he is the cause of her death (but he tells no one). The girl's father promises him great reward if he will stand vigil and pray for her soul for the next three nights. If he does not, grave punishment is implied. After the funeral rites, Khoma is told of a huntsman who fell in love with the young girl, and how when she came into the stable and asked his help to get on her horse, he said he would like it more if she rode on his back, then took her on his back and ran off with her, reminding Khoma of his encounter (the men telling the tale suspect the girl was a witch). He is taken to the chapel where the girl's body lies and is locked in for the night.
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02 / FACES IN THE FRAME
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