Secrets & Lies
Why this pick
Leigh’s same patient, actor-led observation turns family tensions into vivid comedy and ache, with the layered social detail and emotional generosity that make Topsy-Turvy feel so alive.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Leigh’s same patient, actor-led observation turns family tensions into vivid comedy and ache, with the layered social detail and emotional generosity that make Topsy-Turvy feel so alive.
Why this pick
A richly textured backstage drama about a theatre surviving under pressure, balancing rehearsal-room craft, ensemble interplay and period atmosphere with affectionate precision.
Why this pick
For the intimate, workmanlike side of theatre: an affectionate yet unsentimental portrait of performers and backstage loyalty, built around dialogue, ritual and beautifully observed character dynamics.
Why this pick
This lovingly designed wartime theatre story offers similar delight in show-business logistics, ensemble eccentricity and the stubborn determination to stage entertainment against the odds.
Why this pick
Its meticulous Victorian world and restrained emotional intelligence echo the visual richness of Topsy-Turvy, while focusing on personalities negotiating duty, creativity and public performance.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
On the opening night of ''Princess Ida'' at the Savoy Theatre in January 1884, composer Sir Arthur Sullivan (Allan Corduner), who is ill from kidney disease, is barely able to make it to the theatre to conduct. He goes on a holiday to Continental Europe hoping that the rest will improve his health. While he is away, ticket sales and audiences at the Savoy Theatre wilt in the hot summer weather. Producer Richard D'Oyly Carte (Ron Cook) has called on Sullivan and the playwright W. S. Gilbert (Jim Broadbent) to create a new piece for the Savoy, but it is not ready when ''Ida'' closes. Until a new piece can be prepared, Carte revives an earlier Gilbert and Sullivan work, ''The Sorcerer''.
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02 / FACES IN THE FRAME

W. S. Gilbert

Richard Temple (The Mikado)

Leonora Braham (Yum-Yum)

Helen Lenoir

Durward Lely (Nanki-Poo)

Mr. Seymour

Fanny Ronalds
Pidgeon