Happy as Lazzaro
Why this pick
Alice Rohrwacher again finds mythic, tactile beauty in rural Italian labor, observing a close-knit community with the same patient, child-height wonder and gently unsettling realism.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Alice Rohrwacher again finds mythic, tactile beauty in rural Italian labor, observing a close-knit community with the same patient, child-height wonder and gently unsettling realism.
Why this pick
Its unhurried attention to farming families, children, animals, rituals, and material hardship echoes The Wonders’ lived-in rural texture and compassionate ensemble observation.
Why this pick
A young woman’s inward resilience is rendered through precise domestic detail, folk-inflected imagery, and a delicate balance of hardship, oddity, and quiet grace.
Why this pick
This luminous child’s-eye rural drama shares The Wonders’ fascination with bees, family silences, and the porous boundary between everyday life and private enchantment.
Why this pick
A child’s adjustment to a new countryside household unfolds through observant small moments, family friction, and natural light rather than explanatory drama.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Gelsomina and her three younger sisters live with their parents on a farm in the Italian countryside. As the eldest child, she takes on a heavier burden, taking care of her younger sisters and assisting her father with bee keeping. One day as the family is playing on the beach after a long day, they are told to quit making so much noise and discover that a short distance away a TV show is being filmed. They watch the show being filmed and, as, they are about to leave, the star of the show, Milly, calls them over and gives Gelsomina a hair clip to keep.
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02 / FACES IN THE FRAME

Angelica
Second Life Representative

Wolfgang

Milly Catena
Adrian