The Wonders
Why this pick
Rohrwacher’s earlier rural fable shares the handmade naturalism, porous sense of time, and tender attention to people living at the edge of modern Italy.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Rohrwacher’s earlier rural fable shares the handmade naturalism, porous sense of time, and tender attention to people living at the edge of modern Italy.
Why this pick
A rough-hewn folk legend that moves from an Italian village into mythic territory, balancing earthy detail, melancholy, and an uncanny openness to transformation.
Why this pick
Its quiet, guileless protagonist and restrained magical-realist texture turn inherited trauma and social inequality into something intimate, strange, and compassionate.
Why this pick
For the elemental rural setting and patient observation of labor, deprivation, and ritual—though its austere, apocalyptic mood is far harsher than Rohrwacher’s warmth.
Why this pick
Another village chronicle where hierarchy and cruelty hide beneath old-world routines; its precise monochrome realism offers a colder, more ominous counterpart to Lazzaro’s innocence.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
On an estate called Inviolata, isolated since 1977, 54 farmhands work on a tobacco farm in a sharecropping arrangement, where they are constantly in debt and thus unpaid. The farm is run by the notorious Alfonsina de Luna, "Queen of Cigarettes". Lazzaro is a worker on the farm who dutifully follows every command given to him by the marquis and the heads of the estate. Tancredi is the marquis, who befriends Lazzaro. Becoming disillusioned with the cycle of exploitation on the estate, Tancredi decides to defy Alfonsina, his mother, by faking his own kidnapping. Tancredi and Lazzaro set out in the wilderness and ditches, where they write a false ransom note with Lazzaro posing as the kidnapper. They imitate a wolf's howl to make contact with a wolf roaming the countryside; Tancredi also warmly suggests they could be half-brothers, since his father was a womanizer. Lazzaro takes the idea of their brotherhood seriously.
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02 / FACES IN THE FRAME
Lazzaro
Antonia (young)
Tancredi (young)

Antonia

Ultimo

Nicola

Tancredi

Marchesa Alfonsina De Luna