Right Now, Wrong Then
Why this pick
Hong’s delicately repetitive structure and casual conversations turn small social gestures into revealing emotional shifts, matching the observant, lightly comic intimacy of The Woman Who Ran.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Hong’s delicately repetitive structure and casual conversations turn small social gestures into revealing emotional shifts, matching the observant, lightly comic intimacy of The Woman Who Ran.
Why this pick
Its wandering visits, recurring situations, and minute variations in behavior offer a similarly playful but incisive look at awkward connection and self-deception.
Why this pick
Spare, intimate scenes and crisp black-and-white framing create a quiet emotional precision close to The Woman Who Ran’s interest in what people leave unsaid.
Why this pick
This gently circular portrait of friendship, romantic projection, and repeated conversations captures the same wry attention to how people perform themselves around others.
Why this pick
Three precise, dialogue-led encounters find tension and humor in social performance, withheld feelings, and changing points of view—an apt companion to Hong’s conversational subtlety.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
With her ever-present husband finally away on business, a woman visits three friends and reflects on her life choices.
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02 / FACES IN THE FRAME

Gam-hee

Jee-young

Woo-jin