The Joneses
Why this pick
Like the 2004 Stepford Wives, it turns immaculate suburban aspiration into sly, glossy social satire, with a carefully manufactured lifestyle gradually revealing its unsettling human cost.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like the 2004 Stepford Wives, it turns immaculate suburban aspiration into sly, glossy social satire, with a carefully manufactured lifestyle gradually revealing its unsettling human cost.
Why this pick
Its polished English-village setting, cheerful domestic surface, and increasingly dark comic undercurrent echo Stepford’s blend of affluent normality, marital unease, and mischievous menace.
Why this pick
This offers the same heightened, camp-inflected dark comedy: a privileged household’s rigid ideas of family perfection become deliciously uncomfortable and increasingly bizarre.
Why this pick
John Waters similarly skewers polished suburbia through bright artificiality, outrageous humor, and a fiercely controlled homemaker whose devotion to respectability turns wonderfully sinister.
Why this pick
For Stepford’s suburban paranoia and comic unease, this keeps the cul-de-sac setting, escalating suspicion, and playful sense that tidy neighborhood rituals conceal something very wrong.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Joanna Eberhart (Nicole Kidman) is a successful reality television executive producer, whose career suddenly ends due to a controversial show. With her husband Walter (Matthew Broderick) and their two children, she moves from Manhattan to Stepford, a quiet Fairfield County, Connecticut Connecticut suburb.
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02 / FACES IN THE FRAME

Joanna Eberhart

Walter Kresby

Bobbie Markowitz

Claire Wellington

Mike Wellington

Roger Bannister

Sarah Sunderson

Dave Markowitz