The Others
Why this pick
Like The Orphanage, it turns a grand, isolated house into a space of maternal fear, childhood unease, and carefully sustained supernatural ambiguity.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Orphanage, it turns a grand, isolated house into a space of maternal fear, childhood unease, and carefully sustained supernatural ambiguity.
Why this pick
A Spanish ghost story where an orphanage’s history and vulnerable children give the haunting the same mournful, compassionate weight as The Orphanage.
Why this pick
Its elegant, unnerving approach to a country estate and possibly haunted children rewards the same patience for suggestion, dread, and emotional uncertainty.
Why this pick
This exquisitely controlled family ghost story shares The Orphanage’s sorrowful atmosphere, child-centered menace, and gradual unspooling of buried trauma.
Why this pick
A grieving parent, a cavernous old home, and a mystery embedded in its walls create a restrained, melancholy supernatural investigation rather than a shock-driven scarefest.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1975 Spain, a young girl named Laura is adopted. Years later, adult Laura returns to the closed orphanage, accompanied by her husband, Carlos, and their seven-year-old son, Simón. She plans to reopen the orphanage as a facility for disabled children. Simón claims to have befriended a boy named Tomás, and draws pictures of him as a child wearing a sack mask. Social worker Benigna Escobedo visits the house to inquire after Simón, and the audience learn that Laura and Carlos adopted Simón and that he is HIV-positive people. Incensed at Benigna's intrusion, Laura asks her to leave. Later that night Laura finds Benigna in the orphanage's coal shed, but Benigna flees the scene. Later, Simón teaches Laura a game which grants its winner a wish. Clues lead the two to Simón's adoption file. Simón becomes angry, and says that his new friend told him that Laura is not his biological mother and that he is going to die soon.
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02 / FACES IN THE FRAME

Carlos

Tomás

Laura

Enrique

Balaban

Aurora