Moulin Rouge
Why this pick
Like Becker’s portrait of Modigliani, it treats an artist’s Parisian life as a vivid, melancholy struggle between creative obsession, poverty, love, and bodily decline.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Becker’s portrait of Modigliani, it treats an artist’s Parisian life as a vivid, melancholy struggle between creative obsession, poverty, love, and bodily decline.
Why this pick
Its spare, intimate study of a self-destructive man moving through Paris carries a similarly unsentimental tenderness, with bohemian friendships unable to fully counter private despair.
Why this pick
A lovingly textured period Paris drama in which artistic work, romantic strain, and a close creative community are given emotional weight without romanticising their pressures.
Why this pick
For Modigliani’s tragic artist trajectory, this offers another intensely performed account of a gifted French figure whose art, love, and self-destruction become inseparable.
Why this pick
Its tactile period detail and fierce attention to an artist’s emotional and professional vulnerability make it a strong companion to Becker’s compassionate portrait of creative ruin.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
Leading a bohemian existence In Paris is the artist Modigliani, known as Modi. Spending much of his time drinking and sleeping with the attractive writer Beatrice, he does some drawing and painting but sells virtually nothing. He meets a beautiful young art student called Jeanne, who is locked up by her family to keep her away from him. His friends the Zborowskis do their best to keep him afloat, but his fragile health, weakened by constant alcohol and tobacco, gives out and he is sent to Nice to recuperate. Jeanne escapes and joins him there, after which the two are inseparable.
02 / FACES IN THE FRAME
Amedeo Modigliani

Béatrice Hastings

un étudiant peintre (non crédité)
Catherine - la serveuse du café

Léopold Sborowsky