The Sadist
Why this pick
Like The Hitch-Hiker, it traps ordinary people with a sadistic stranger in a stripped-down roadside nightmare, building fear through close quarters, failed escape plans, and unnervingly matter-of-fact menace.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Hitch-Hiker, it traps ordinary people with a sadistic stranger in a stripped-down roadside nightmare, building fear through close quarters, failed escape plans, and unnervingly matter-of-fact menace.
Why this pick
Its tension comes from an intimate contest of wills with a chillingly controlled captor, echoing Ida Lupino’s focus on psychological pressure rather than spectacle.
Why this pick
This lean noir shares the fatalistic road-movie atmosphere and low-budget precision of The Hitch-Hiker, with one disastrous encounter tightening into an inescapable trap.
Why this pick
It turns an empty highway into a merciless arena, sustaining the same primal vulnerability and escalating pursuit tension as Lupino’s desert-bound thriller.
Why this pick
A spare, sunlit thriller whose everyday surfaces conceal profound dread; it shares The Hitch-Hiker’s patient, pitiless attention to a predator’s control over helpless strangers.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Roy and Gilbert's fishing trip takes a terrifying turn when the hitchhiker they pick up turns out to be a sociopath on the run from the law. He's killed before, and he lets the two know that as soon as they're no longer useful, he'll kill again. The two friends plot an escape, but the hitchhiker's peculiar physical affliction, an eye that never closes even when he sleeps, makes it impossible for them to tell when they can make a break for it.
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02 / FACES IN THE FRAME

Roy Collins
Wendell Niles (as Wendel Niles)

Government Agent
Gilbert Bowen
Inspector General
Emmett Myers