Monsieur Hire
Why this pick
Leconte again turns obsessive longing into a stylised, intimate fable: spare dialogue, tactile ritual, melancholy humour and a romance viewed through the ache of idealisation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Leconte again turns obsessive longing into a stylised, intimate fable: spare dialogue, tactile ritual, melancholy humour and a romance viewed through the ache of idealisation.
Why this pick
Its black-and-white romanticism and heightened, slightly unreal emotional logic echo the original’s devotion to love as a private world, balancing playfulness with fatalistic tenderness.
Why this pick
A flamboyant, deadpan French fantasia about desire and male ritual, with the same preference for bold visual design, comic strangeness and emotions that become almost mythic.
Why this pick
Truffaut treats a man’s lifelong fixation with women as both buoyant comedy and wistful confession, using memory and narration to make desire feel tender, funny and quietly lonely.
Why this pick
For the French adult-romance precision: restrained performances, exquisite interiors and an emotionally evasive central man turn attraction into a delicate, painful study of what cannot be said.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. Though Antoine tells Mathilde that 'the past is dead', his life is evidence that on some level the past repeats itself. As a young boy he fantasised about a hairdresser who committed suicide and as a man in his 50s he begins an affair with a hairdresser which ends after ten years in her suicide. However, there are differences, Mathilde commits suicide because she is so happy she is afraid of the happiness she has found with Antoine ending.
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02 / FACES IN THE FRAME
Antoine's father

Ambroise Dupré dit Isidore Agopian

Morvoisieux Son-in-Law

Adopted Child's Mother

Antoine

Mathilde