Used Cars
Why this pick
Like Burt Reynolds’s broad, mortality-tinged farce, it runs on reckless escalation, shameless comic timing, and an amiably desperate lead turning bad decisions into increasingly outsized chaos.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Burt Reynolds’s broad, mortality-tinged farce, it runs on reckless escalation, shameless comic timing, and an amiably desperate lead turning bad decisions into increasingly outsized chaos.
Why this pick
A gleefully tasteless, high-concept comedy with the same appetite for death jokes, emotional absurdity, and a likable star playing sincere amid wildly cartoonish circumstances.
Why this pick
Its self-pitying protagonist and aggressively silly supernatural predicament echo The End’s blend of personal crisis, mean-spirited complications, and unapologetically broad late-1970s-style humor.
Why this pick
This has a similarly irreverent, adult comic voice: a man’s unraveling identity becomes an excuse for sharp social satire and escalating, deliberately uncomfortable farce.
Why this pick
For the loose, joke-forward energy and comic-star appeal, this exuberantly silly religious spoof shares The End’s willingness to push a morbid premise into cheerful absurdity.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
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02 / FACES IN THE FRAME

Mary Ellen
Dr. Waldo Kling

Jessica Lawson
Dr. Samuel Krugman

Maureen Lawson
Father Dave Benson

Hearse Driver
Limousine Driver