The Long Goodbye
Why this pick
Another Philip Marlowe case, recast in sun-bleached 1970s Los Angeles; its shaggy pacing, cynical humor and quietly disoriented detective fit the later-era noir mood.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Another Philip Marlowe case, recast in sun-bleached 1970s Los Angeles; its shaggy pacing, cynical humor and quietly disoriented detective fit the later-era noir mood.
Why this pick
Robert Mitchum’s other Marlowe performance delivers the same weary authority, with a more stylized, smoky reconstruction of classic noir’s corrupt streets and dangerous clientele.
Why this pick
A patient, downbeat crime film driven by weary professionals, compromised loyalties and an unglamorous 1970s texture rather than flashy action.
Why this pick
Gene Hackman plays a private investigator pulled into a knotty, increasingly unsettling case; it shares the 1970s noir fatalism and unhurried investigative tension.
Why this pick
Paul Newman’s Lew Harper navigates blackmail, old wealth and Southern decay in a deliberately paced detective mystery with a similarly bruised neo-noir sensibility.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1970s England, private detective Philip Marlowe (Robert Mitchum) is asked to the stately home of General Sternwood (James Stewart), who hires Marlowe to learn who is blackmailing him. While at the mansion, he meets the general's spoiled and inquisitive daughter Charlotte (Sarah Miles) and wild younger daughter Camilla (Candy Clark).
02 / FACES IN THE FRAME

Philip Marlowe

Charlotte Sternwood

Agnes Lazelle

General Sternwood

Camilla Sternwood

Eddie Mars
Lash Cansino

Joe Brody