The Long Goodbye
Why this pick
Another Philip Marlowe case, but filtered through a hazy, cynical 1970s Los Angeles; its drifting rhythm and lonely detective viewpoint closely complement Farewell, My Lovely.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Another Philip Marlowe case, but filtered through a hazy, cynical 1970s Los Angeles; its drifting rhythm and lonely detective viewpoint closely complement Farewell, My Lovely.
Why this pick
Its sun-blasted Los Angeles, institutional corruption, and increasingly tangled private-eye investigation offer the same hardboiled fatalism, with exceptionally controlled tension.
Why this pick
Gene Hackman’s worn-down detective navigates an investigation full of evasions and moral rot, matching the weary, adult noir mood more than the usual detective-film glamour.
Why this pick
A shabby veteran private eye, a reluctant partnership, and a warmly melancholic Los Angeles give this a character-first variation on Marlowe-style noir.
Why this pick
Its 1940s Los Angeles setting, compromised authorities, and thoughtful amateur sleuth recreate the period texture and uneasy investigative pull of Farewell, My Lovely.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1941 Los Angeles, against a seamy backdrop of police corruption, cheap hotel rooms, illegal gambling and jewel trafficking, private detective Philip Marlowe is holed up in a hotel room and growing more weary by the hour. As he explains to his police lieutenant friend Nulty: "I've got a hat, a coat and a gun; that's it."
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02 / FACES IN THE FRAME

Mrs. Helen Grayle alias Velma

Mrs. Jessie Florian
Detective Lt. Nulty

Moose Malloy

Lindsay Marriott
Cowboy
3rd Detective

Philip Marlowe