The Long Goodbye
Why this pick
Like The Late Show, this is a shaggy, Los Angeles-set private-eye story led by a wry, isolated detective. Its loose rhythm, melancholy humor, and lived-in city texture matter as much as the case.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Late Show, this is a shaggy, Los Angeles-set private-eye story led by a wry, isolated detective. Its loose rhythm, melancholy humor, and lived-in city texture matter as much as the case.
Why this pick
A 1970s detective film with the same weary adult atmosphere: a principled but emotionally stranded investigator follows a case through sunlit California and into increasingly uneasy territory.
Why this pick
Its aging, cash-strapped private eyes and downbeat Los Angeles milieu closely echo The Late Show. The pleasure is in bruised partnership, dry banter, and the unglamorous mechanics of detection.
Why this pick
Paul Newman's Harper brings a similarly rumpled, funny, old-school detective presence to a cynical 1970s mystery, balancing eccentric characters with a steadily tightening investigation.
Why this pick
For the comic side of The Late Show, this noir parody revives a classic private-eye world with deadpan absurdity, hard-boiled stylization, and affection for worn-out detective conventions.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A financially strained, aging Los Angeles private detective named Ira Wells isn't a well man and is barely active in the business. He is a loner who doesn't much care for company or small talk. When his ex-partner Harry Regan shows up at Ira's boarding house one night, mortally wounded while on a case, Ira feels it's up to him to get to the bottom of it.
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02 / FACES IN THE FRAME

Charlie Hatter
Ron Birdwell

Laura Birdwell
Sergeant Dayton
Harry Regan

Ira Wells

Margo
Lamar