Le Cercle Rouge
Why this pick
Its cool, ritualised criminal world, measured silences, and wary bonds between isolated men closely echo the fatalistic tension and nocturnal elegance of The American Friend.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its cool, ritualised criminal world, measured silences, and wary bonds between isolated men closely echo the fatalistic tension and nocturnal elegance of The American Friend.
Why this pick
A paranoid, morally compromised protagonist moves through a meticulously observed urban world; its patient pacing and sound-led unease suit Wenders’s atmosphere of alienation.
Why this pick
This off-kilter neo-noir similarly recasts a classic crime figure as a drifting outsider, using Los Angeles’ hazy surfaces and dry melancholy rather than conventional thriller momentum.
Why this pick
A restrained European crime road film built on uneasy negotiations, betrayal, and shifting power between men—tense without sacrificing its strange, reflective mood.
Why this pick
For the same existential drift and exquisitely composed spaces: a man slips into a dangerous new identity while the film sustains ambiguity, distance, and quiet dread.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Tom Ripley (Dennis Hopper) is a wealthy American living in Hamburg, Germany. He is involved in an artwork forgery scheme, in which he appears at auctions to bid on forged paintings produced by an accomplice and artificially drives up the price. At one of these auctions, he is introduced to Jonathan Zimmermann (Bruno Ganz), a picture framer who is dying of leukemia. Zimmermann refuses to shake Ripley's hand when introduced, coldly saying "I've heard of you" before walking away.
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02 / FACES IN THE FRAME

Allan Winter
Derwatt

Tom Ripley
The American
Jonathan Zimmermann

Marianne Zimmermann