The House of Mirth
Why this pick
Like The Age of Innocence, it observes gilded New York society as an exquisitely mannered trap, pairing sumptuous period detail with a quietly devastating account of love, reputation, and constrained choices.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Age of Innocence, it observes gilded New York society as an exquisitely mannered trap, pairing sumptuous period detail with a quietly devastating account of love, reputation, and constrained choices.
Why this pick
Its restrained longing, formal beauty, and painful attention to all that characters cannot say make it a close emotional companion to Scorsese’s elegant study of duty and missed connection.
Why this pick
A ravishing, socially observant romance in which propriety collides with awakening desire; it shares the controlled period elegance and sharp understanding of class rituals.
Why this pick
Jane Campion brings tactile visual richness and psychological intensity to another nineteenth-century world where a spirited woman confronts the costs hidden inside refined social arrangements.
Why this pick
This stately, sun-drenched memory piece turns an illicit romance and rigid class codes into a haunting tale of repression, with the same sense that etiquette can conceal irreversible harm.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1870s New York City, gentleman lawyer Newland Archer is planning to marry the respectable young May Welland. May's cousin, the American heiress Countess Ellen Olenska, has returned to New York after a disastrous marriage to a dissolute Polish Count. At first she is ostracized by society and vicious rumors are spread, but, as May's family boldly stands by the Countess, she is gradually accepted by the very finest of New York's old families. Archer prematurely announces his engagement to May, but as he comes to know the Countess, he begins to appreciate her unconventional views on New York society and he becomes increasingly disillusioned with his new fiancée May and her innocence, lack of personal opinion, and sense of self.
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02 / FACES IN THE FRAME

Newland Archer

Ellen Olenska

May Welland
Male Opera Singer

Regina Beaufort
Party Guest

Henry van der Luyden

Narrator (voice)