Nadja
Why this pick
A downtown, black-and-white vampire film that similarly treats undead desire as a cool, literary condition, with deadpan urban alienation and an experimental independent-film texture.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A downtown, black-and-white vampire film that similarly treats undead desire as a cool, literary condition, with deadpan urban alienation and an experimental independent-film texture.
Why this pick
A ravishingly stylized, deeply unsettling vision of innocence corroded by violence and vampiric suggestion; it shares The Addiction’s philosophical darkness and art-horror intensity.
Why this pick
Claire Denis brings a similarly austere, sensual seriousness to predatory appetite, emphasizing bodily dread, moral illness, and fractured desire over plot mechanics.
Why this pick
A sleek, nocturnal vampire drama whose eroticism, intellectual milieu, and fatalistic mood make a polished counterpoint to The Addiction’s raw monochrome New York.
Why this pick
An essential poetic vampire film that uses blood hunger to examine spirituality, addiction, desire, and Black intellectual life with elliptical, confrontational artistry.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1994 New York City, Kathleen Conklin, an introverted graduate school student studying philosophy at the New York University, is attacked one evening on a Greenwich Village street by a woman who calls herself "Casanova." She pushes Kathleen into a stairwell and tells her to "order me to go away." When Kathleen is unable to do so, the woman bites her neck and drinks her blood. Kathleen soon develops several of the traditional symptoms of vampirism, including aversion to daylight and distaste for food. She grows aggressive in demeanor, and propositions her dissertation advisor for sex at her apartment, afterward stealing money from his wallet while he sleeps. Jean, a doctoral candidate in Kathleen's cohort (educational group), notices a rapid change in Kathleen's personality.
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02 / FACES IN THE FRAME

Kathleen Conklin

Casanova

Jean

Anthropology Student

Peina

Missionary

Professor